I, Robot (2004)
Movie
In 2035, where robots are commonplace and abide by the three laws of robotics, a technophobic cop investigates an apparent suicide. Suspecting that a robot may be responsible for the death, his investigation leads him to believe that humanity may be in danger.
Directed By : Alex Proyas
Genres : Action, Science Fiction
Status : Released
Released : Jul 15, 2004
Tagline : One man saw it coming.
Length : 115 minutes
Cast
- Will Smith
- Bridget Moynahan
- Alan Tudyk
- James Cromwell
- Bruce Greenwood
- Adrian Ricard
- Chi McBride
- Jerry Wasserman
- Fiona Hogan
- Peter Shinkoda
- Terry Chen
- David Haysom
- Scott Heindl
- Sharon Wilkins
- Craig March
- Kyanna Cox
- Darren Moore
- Aaron Douglas
- Shayla Dyson
- Bobby Stewart
- Nicola Crosbie
- Emily Tennant
- Shia LaBeouf
- Michael St. John Smith
- Travis Webster
- Roger Haskett
- Tiffany Lyndall-Knight
- Angela Moore
- Ryan Zwick
- Essra Vischon
- Kenyan Lewis
- Aaron Joseph
- Simon Baker
- Marrett Green
Crew
- Screenplay : Jeff Vintar
- Original Music Composer : Marco Beltrami
- Director of Photography : Simon Duggan
- Director : Alex Proyas
- Screenplay : Akiva Goldsman
- Producer : John Davis
- Stunt Double : Monique Ganderton
- Stunts : Brett Armstrong
- Stunts : Owen Walstrom
- Casting : Coreen Mayrs
- Casting : Jeanne McCarthy
- Producer : Topher Dow
- Producer : Laurence Mark
- Costume Design : Liz Keogh
- Casting : Juel Bestrop
- Casting : Heike Brandstatter
- Stunts : Alette Falle
- Producer : Wyck Godfrey
- Visual Effects : Michael Leung
- Stunts : Carolyn Anderson
- Stunts : Clint Carleton
- Stunts : David Mylrea
- Stunts : Lauro David Chartrand-DelValle
- Co-Producer : Steven R. McGlothen
- Executive Producer : James Lassiter
- Editor : Armen Minasian
- Editor : Richard Learoyd
- Executive Producer : Michel Shane
- Executive Producer : Will Smith
- Associate Producer : John Kilkenny
- Executive Producer : Anthony Romano
- Editor : William Hoy
- CG Supervisor : Guy Williams
- Stunts : Doug Chapman
- Screenstory : Jeff Vintar
- Technical Advisor : Ron Blecker
- Art Direction : Helen Jarvis
- Stunts : Rikki Gagne
- Set Decoration : Lin MacDonald
- Production Design : Patrick Tatopoulos
- Producer : Michael Lee Baron
- Art Direction : Chris August
- Construction Foreman : Jim Birkel
- Assistant Art Director : Kendelle Elliott
- Sculptor : Melanie Cassidy
- Video Assist Operator : George Collins
- Hair Department Head : Angelina P. Cameron
- Seamstress : Summer Eves
- Digital Effects Supervisor : John Andrew Berton Jr.
- Security : Terence Chase
- Grip : Doug Reid
- Prosthetic Supervisor : Bill Terezakis
- Scenic Artist : John B. Keys
- Unit Publicist : Toni Atterbury
- Conceptual Design : Howard Lau
- Location Scout : Mark Gamache
- Underwater Camera : Ian Seabrook
- Makeup Artist : Leah Ehman
- Stand In : Andre Blair
- Transportation Co-Captain : Shawn Henter
- Art Department Coordinator : Franziska Keller
- Painter : Sheila Thomas
- Hairstylist : Pierce Austin
- Makeup Department Head : Stan Edmonds
- Craft Service : Violet Barisoff
- Set Decoration Buyer : Michael Webb
- Set Dressing Artist : Tim Dagley
- Post-Production Manager : Anet Hambarsumian
- Post Production Supervisor : Patrick Esposito
- Transportation Coordinator : Rob Vreugde
- Art Department Assistant : Jaydene Maryk
- Carpenter : Tor Baxter
- Driver : Lawrence Albright
- Script Supervisor : Shelley Crawford
- Leadman : Eldon Coney
- Assistant Costume Designer : Jana MacDonald
- Key Hair Stylist : Katalin Lippay
- Construction Coordinator : Thom Wells
- Still Photographer : Ava Gerlitz
- Chef : Bob Bedard
- Set Designer : Michael Elkan
- Set Costumer : Tamaryn Lang
- Additional Music : Buck Sanders
- Software Engineer : Shane Cooper
- Systems Administrators & Support : Bill Ryder
- Helicopter Camera : Ralph Mendoza
- Unit Production Manager : Barbara Kelly
- Script Coordinator : Stephanie Kate Mitchell
- Gaffer : John Adams
- Casting Associate : Blythe Cappello
- First Assistant Editor : Liza D. Espinas
- Rigging Grip : George Raymond Carter
- Electrician : Cliff Cenerini
- Lighting Artist : Tohda Asuka
- Rigging Gaffer : Rod Feldmeier
- Loader : Allison Beda
- Telecine Colorist : Jill Allanson
- Makeup Effects : Harlow MacFarlane
- Special Effects Coordinator : Mike Vézina
- Stunt Coordinator : Scott J. Ateah
- Transportation Captain : Robert Buxton
- Location Manager : Al Nolan-Cohn
- First Assistant Sound Editor : Galen Goodpaster
- Foley : Stu Bernstein
- Music Editor : Alex Gibson
- Production Coordinator : Penny Rogers
- Production Supervisor : Eric Fox Hays
- Production Manager : Mary Guilfoyle
- Best Boy Electric : Robert Hicks
- Boom Operator : Jeff MacFarlane
- Production Accountant : Maureen 'Mo' Crutchfield
- Lead Painter : Janette Hyland
- Steadicam Operator : David Crone
- CG Supervisor : Greg Butler
- Color Timer : Jim Passon
- Digital Intermediate : Phil Greig
- Lighting Technician : Cam Esau
- Digital Compositors : Ted Andre
- Supervising Sound Editor : John A. Larsen
- Visual Effects : Neacol Booth
- Visual Effects Supervisor : Dale Fay
- Score Engineer : Bill Talbott
- Visual Effects Producer : Sandra Almond
- Visual Development : Jerome Platteaux
- Visual Effects Coordinator : Charlene Eberle Douglas
- Sound Designer : Erik Aadahl
- Motion Capture Artist : Valy Lungoccia
- Digital Producer : Lisa Spence
- Sound : Matt Willoughby-Price
- Sound Mixer : James Kusan
- Sound Effects Editor : Jay Wilkinson
- 3D Supervisor : Susie Kleis
- Animation Supervisor : Andrew R. Jones
- Painter : Mark N. Tompkins
- CG Artist : Wes Sargent
- Digital Compositor : Lou Pecora
- Stunts : Jeff Sanca
- Creature Design : Patrick Tatopoulos
- Compositing Supervisor : Erik Winquist
- Stunts : Phillip Mitchell
- Stunts : Steven McMichael
- Stunts : Sharon Simms
- Stunts : Ronald Robinson
- Stunts : Ray Pichette
- Stunt Coordinator : Glenn Boswell
- Stunts : Anthony David Moyer
- Stunts : Rick Pearce
- Dialogue Editor : Susan Dawes
- Stunts : Marny Eng
- ADR Supervisor : Michael Haight
- Property Master : Dan Sissons
- Sound Recordist : Tim Gomillion
- Dialogue Editor : Dave Kulczycki
- Stunts : Crystal Dalman
- Music Arranger : Tom Brown
- Stunts : Peter Cox
- Stunts : Loyd Bateman
- Assistant Director : Sam Harris
- Dolly Grip : Daryl Hartwell
- CG Artist : Nicholas Boughen
- Generator Operator : Mick Gray
- Security Coordinator : Larry Woodhouse
- ADR Engineer : Derek Casari
- Post Production Coordinator : Chris McClintock
- Assistant Chef : Melanie Donohue
- Compositing Lead : Jean Lapointe
- Head of Production : Jeff Swenty
- Researcher : Karam Khan
- Costume Coordinator : Janice Swayze
- Second Second Assistant Director : Tracey Poirier
- Storyboard Artist : James Doh
- Animation Technical Director : William Dwelly
- Digital Effects Producer : Dan Foster
- Costumer : Cathy Darby
- Third Assistant Director : David R. Baron
- Set Decorating Coordinator : Lee Campbell
- Foley Supervisor : John Murray
- Stunt Driver : Claire Webb
- Assistant Editor : Alexander Garcia
- Negative Cutter : Gary Burritt
- Assistant Accountant : Colette Jost
- Payroll Accountant : Jill Anderson
- Travel Coordinator : Jill Armstrong
- First Assistant Makeup Artist : Tanya Howard
- Swing : Wilton Higgins
- Casting Consultant : Billy DaMota
- Animal Coordinator : Dana Dubé
- Pre-Visualization Coordinator : Lisa Turner
- Production Executive : Michael Taylor
- Tailor : Savino Peragine
- 2D Sequence Supervisor : G.G. Heitmann Demers
- First Assistant Accountant : Kathy Edwards
- Assistant Makeup Artist : Tamar Ouziel
- ADR Mixer : Charleen Richards-Steeves
- Special Effects Technician : Douglas W. Beard
- Associate Editor : Matt Villa
- Assistant Property Master : Antonio Germinario
- Conceptual Illustrator : Milena Zdravkovic
- ADR Recordist : Marc Hayes
- Foley Mixer : David Betancourt
- Stunt Double : Christopher Gordon
- Casting Assistant : James McKenzie Moore
- Casting Coordinator : Errin Lally
- Aerial Coordinator : Michael Franck
- General Manager : Matt Bauer
- Digital Intermediate Colorist : Skip Kimball
- Costume Set Supervisor : Michelle Baines
- Second Unit Director : Scott J. Ateah
- Foley Artist : Dawn Fintor
- Special Effects Assistant : Beck Carver
- Best Boy Grip : J. Norman Earle
- Camera Trainee : Dave Ashcroft
- Key Set Production Assistant : Vincent Dela Luna
- Truck Costumer : Andre Brouwer
- Compositing Supervisor : Sonja Burchard
- First Assistant Production Coordinator : Danny McNair
- First Assistant Property Master : Michelle Hendriksen
- Second Assistant Sound : Blake R. Cornett
- Second Assistant Director : Paul Barry
- Graphic Designer : Sally Hudson
- Visual Effects Production Assistant : Tom Core
- Data Wrangler : Scott Edelstein
- Libra Head Technician : Christopher Walsh
- Animation Coordinator : Clare Burgess
- Assistant Location Manager : Jason Collier
- Location Production Assistant : Dustin Bouchard
- Playback Coordinator : Darren Robertson
- Rotoscoping Artist : Anne Ritter
- Second Assistant Production Coordinator : Spencer Hon Lui
- Construction Buyer : G. Scott Stewart
- Additional Editing : Neil Travis
- Story Editor : Marc Marcum
- Sound Assistant : Greg Hewett
- Visual Effects Production Manager : Ryan Stafford
- Second Assistant Camera : Sam Jones
- Senior Animator : Elisabeth Arko
- Key Rigging Grip : Gene Keigher
- Production Assistant : Nazima Nagdee
- Production Driver : Bruce Scott
- Production Assistant : Evan Allen
- Post Production Assistant : Bailee Reid
- First Assistant Camera : Paul Taylor
- Sound Re-Recording Mixer : Paul Massey
- Sound Designer : Craig Berkey
- CG Supervisor : Dan Lemmon
- Visual Effects Supervisor : Erik Nash
- Visual Effects Supervisor : John Nelson
- Visual Effects Supervisor : Joe Letteri
- Novel : Isaac Asimov
- Stunts : Ed Anders
- Compositing Lead : Joe Farrell
- VFX Lighting Artist : Hanzhi Tang
- VFX Editor : Jeff Beattie
- Digital Compositor : Michael Melchiorre
- Stunt Double : Randolph LeRoi
- Additional Editor : Jeffrey Ford
- Senior Animator : Paul Story
- Digital Compositor : Paul Lambert
- Compositing Lead : Charles Tait
- Digital Producer : Cyndi Ochs